Nova Pilbeam Collectors’ Guide

by Brent Reid
  • Super Nova: astronomical rise saw her become a household name within just two years of going on stage
  • She’s best known for Alfred Hitchcock’s The Man Who Knew Too Much and Young and Innocent
  • Talented child actor grew quickly into adult roles but ultimately sought settled domesticity
  • Despite possibility of Hollywood stardom her career remained resolutely British-bound
  • Detailing the exact status and availability of her every onscreen and radio appearance
  • She may be known to most for only two films but left us many fine performances

Part 2: Filmography on home video

Nova Pilbeam, 1937

1937


Contents


Early stardom and a life more ordinary

Nova Pilbeam, circa 1934

Circa 1934

Though her two films for Alfred Hitchcock, The Man Who Knew Too Much and Young and Innocent, remain her best known roles, and most of her working life was spent treading the boards, Nova Margery Pilbeam (1919–2015) left us many other fine onscreen performances. It’s a pity the resolutely forward-looking former actor didn’t choose to pen a memoir or cooperate with any potential biographers during her extended retirement years. She was notoriously reticent to give interviews, preferring to let her work speak for itself; remember those days, when folk used to keep their private lives private? Her Wikipedia page, with its linked obituaries and articles, are probably as much biographical information as we’re ever going to have.

In brief, her entire acting career spanned just under two decades from the ages of 12 to 31 and took place entirely in the UK, despite her having visited America for a month with Hitch’s mentor, Gaumont-British head Michael Balcon. During the making of The Man Who Knew Too Much, she met and fell for assistant director Frederick Penrose “Pen” Tennyson; his is the hand she reaches for to save her from plummeting into a mineshaft in Young and Innocent. He was seven years her senior and the great-grandson of Queen Victoria’s Poet Laureate Alfred, Lord Tennyson. Pen worked on nine films, including five Hitchcocks bookended by The Man Who and Young and Innocent, before graduating on to both directing his own and marrying Nova in 1939. But their union was to prove sadly short-lived as he was killed in an aeroplane crash in July 1941, while making instructional films for the Royal Navy.

It was a tragedy for British cinema too: the three films he directed and co-wrote just prior to his untimely death, detailed below, are among the finest works of the period, and well worth seeking out. His young wife lost her heart for making films following his death and her eventual exit from acting altogether was sealed. Piling tragedy upon tragedy, her only sibling, younger brother Anthony who was also an actor, died during a bombing raid over Berlin in January 1944 at the age of 19. The following year, Pen’s younger brother Charles was killed in action in Burma. Nova eventually remarried, to BBC Radio journalist Alexander Whyte from 1950 until his premature death in 1972 and in retirement lived quietly in London with their daughter Sarah Jane, born in 1952, until taking her final bow in 2015 at the age of 95.


Non-film appearances

Nova Pilbeam, circa 1937

Circa 1937

Nova made many appearances on BBC Radio between 1935 and 1951, both as herself and in various plays. Perhaps the most significant of these was in the titular role of J. M. Barrie’s 1920 play Mary Rose, a girl for whom time stands still when she disappears for long periods, having earlier led his similarly themed Peter Pan in the West End. Nova starred in three separate BBC recordings of Mary Rose in 1938, 1940 and 1947; current whereabouts unknown. Filming the play was another of Hitchcock’s unrealised projects and though it still hasn’t hit the big screen, there have been more than a dozen TV and radio adaptations, most recently from 2016. However, the only version seemingly available is BBC Scotland’s full length TV outing from 1987.

Nova was also Roy Plomley’s castaway in a 1945 episode of Desert Island Discs which is likewise unavailable but you can at least see which eight classical pieces she chose. I’ve no idea if anything at all of her radio work survives but if you have a clue, let us know! Film author-historian Matthew Sweet long tried to secure an interview about her life and career for his book Shepperton Babylon (2005) but “to no avail. Eventually she stopped answering my sycophantic letters.” However, in 2015 he paid an affectionate tribute on BBC Radio 4’s Last Word (at 11min). As you’d expect, Nova popped up occasionally in other places over the years; again, let us know if you’re aware of any more.


Pen Tennyson

In addition to Nova’s pair, her first husband was assistant director on three more Hitchcocks: The 39 Steps, Secret Agent and Sabotage. He also performed the same role on four other films:

Soon after Pen died, his father, industrialist Sir Charles Tennyson, wrote a biography of his eldest son “for family and intimate friends.” It was then published as a limited run in December 1943, “because many who read it felt that there should be available, in more permanent form, a record of a remarkable character and career.” Dedicated to His Mother and Nova / “Gratias”, it contains unique photos and much fascinating info, detailing with great love and care the filmmaker’s formative years and influences. Copies are fairly easy to locate and many are inscribed to their recipients from “Pen’s parents” or the author; mine is to “G.W.X. from CT – with gratitude”. Later, Pen’s parents presented Dawn, a 1921 sculpture by Sir William Reid Dick, to the Tate Gallery in memory of their son.

“In life few achieve the full expression of the spirit, compassed as we are by the world and its implications. But if the spirit be set upon high things then in death it will be without fear.” – Penrose Tennyson


There Ain’t No Justice (1939)

More clips

The first of three films co-written and directed by Pen Tennyson is a working class drama, set in the world of amateur boxing and organised crime. It’s based on the eponymous 1937 novel by James Curtis, better known for his gritty, harder-hitting 1938 novel They Drive by Night. Curtis adapted the latter himself for a seminal British noir of the same name the following year, not to be confused with the unrelated 1940 American noir with the same title, starring Humphrey Bogart.


The Proud Valley (1940)

News report (2016) | TPV: David Harewood on Paul Robeson | PR sings to Scottish miners (1949) | PR: The Tallest Tree in Our Forest (1977) | BBC Wales Arts: Industry in Welsh Film

This is the most fully realised of Renaissance man Paul Robeson’s starring narrative features, along with 1937’s Jericho, which is available on US Criterion and UK Odeon DVD. This is no mean feat, given the incredible creative legacy of one of the twentieth century’s great lives. Also co-written and directed by Pen Tennyson, The Proud Valley is a socialist-leaning plea for tolerance, self-sacrifice and universal brotherhood that has strong echoes of The Citadel. Made just two years earlier, the pivotal social-realist drama was Pen’s final film as assistant director. The Proud Valley’s always looked good on home video but the latest remastered releases really do it justice and are the ones to get if possible.

Today We Live (1937), Screenonline, South Cerney Trust, Eye for Film


Convoy (1940)

This gripping, propagandistic drama, Pen Tennyson’s final co-written and directed film, was released on 5 July 1941, just two days before he lost his life at the young age of 28. Only released officially in the UK, it’s been much-bootlegged elsewhere. The 77-minute US edit, cut down from the original 90 minutes, is on several Mill Creek sets: 2-DVD/10-film Mission Victory (2007), 3-DVD/10-film To Victory! (2015) and 4-DVD/20-film Combat Classics (2001). Among many bootleg DVD-Rs to avoid, one of the most common, from Video Yesteryear, also appropriates the US half sheet poster for its artwork.


Went the Day Well? (1942)

Teaser | Opening | Trailers from Hell

Original transfer

Anthony Pilbeam’s only known onscreen appearance was a minor, uncredited role as Ted Garbett in Ealing Studios’ pivotal wartime flag-waver. Very gritty and even brutal, it concerns the inhabitants of a sleepy English village rousing themselves to repel a stealthy German invasion. The symbolism is quite apparent and the large ensemble cast includes Ealing stalwart Mervyn Johns alongside Leslie Banks, who played Nova’s father in The Man Who Knew Too Much. The film’s original transfer is very decent but the restored version far superior. The less said about the US Reel Vault bootleg DVD-R, the better.

2010 restoration

Part 2: Filmography on home video


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Fr. Matthew Hardesty
Fr. Matthew Hardesty
18th July 2022 02:29

How are the 4 films – There Ain’t No Justice, The Proud Valley, Convoy, and Went the Day Well? – connected to Nova? I don’t think you stated what exactly the family connection is.

Fr. Matthew Hardesty
Fr. Matthew Hardesty
16th May 2023 04:12

Hitchcock wrote an article on Nova for Film Weekly, describing her maturation from child to adult actress and even mentions some plot points for a third film with her that was in the works:
https://the.hitchcock.zone/wiki/Film_Weekly_(1938)_-_Nova_Grows_Up

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